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Objectifs ZEISS/ARRI Master Anamorphic

The Master Anamorphic lenses open up new creative opportunities, making shots possible that would have been considered impossible before. The important and distinguishing visual facet of anamorphic images, the appearance of out-of-focus background elements or bokeh, will be created by the newly developed iris with 15 aperture blades, creating perfectly oval and evenly illuminated out-of-focus highlights. This ensures a pleasing bokeh that filmmakers will enjoy manipulating creatively.

Master Anamorphic Aperture Close Focus (1) Length (2) Front diameter Weight AOV (3)
MA 28 mm/T1.9 T1.9 to T22 0.65 m / 2’3″ 183 mm / 7.2″ 114 mm / 4.5″ 2.5 kg / 5.5 lbs 78,2°
MA 35 mm/T1.9 T1.9 to T22 T1.9 to T22 183 mm / 7.2 » 95 mm / 3.7 » 2.6 kg / 5.7 lbs 65.5°
MA 40 mm/T1.9 T1.9 to T22 0.70 m / 2’4″ 183 mm / 7.2 » 95 mm / 3.7 » 2.7 kg / 6.0 lbs 58.7°
MA 50 mm/T1.9 T1.9 to T22 0.75 m / 2’6″ 183 mm / 7.2 » 95 mm / 3.7 » 2.6 kg / 5.7 lbs 48.5°
MA 60 mm/T1.9 T1.9 to T22 0.90 m / 3′ 183 mm / 7.2 » 95 mm / 3.7 » 2.7 kg / 6.0 lbs 41.1°
MA 75 mm/T1.9 T1.9 to T22 0.90 m / 3′ 183 mm / 7.2 » 95 mm / 3.7″ 2.6 kg / 5.7 lbs 33.4°
MA 100 mm/T1.9 T1.9 to T22 0.95 m / 3’1 » 210 mm / 8.3 » 95 mm / 3.7″ 3.1 kg / 6.8 lbs 25.4°
MA 135 mm/T1.9 T1.9 to T22 1.20 m / 3’11 » 226 mm / 9.1 » 95 mm / 3.7″ 3.7 kg / 8.2 lbs 18.9°
MA 180 mm/T 2.8 T2.8 to T22 1.50 m / 5′ 226 mm / 9.1 » 95 mm / 3.7″ 3.2 kg / 7.1 lbs 14,4°
(1) Close focus distance is measured from the image plane.
(2) Front to PL mount flange.
(3) Horizontal angle of view for a Super 35 Cinemascope camera aperture (dimensions 22.5
mm x 18.7 mm / 0.89“ x 0.74“).