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ARRI Alexa SXT Plus

ALEXA SXT offers a total of 14 in-camera recording formats, seven of which are completely new. All sensor modes can now be recorded in ARRIRAW or ProRes. Whatever the budget, intended market, resolution requirements, aspect ratio, lens choices or postproduction plans, there is an ideal ALEXA SXT recording format to ensure easy operation on set and a seamless image pipeline. http://www.arri.com/alexa-sxt-plus/overview
Viewfinder AlexaMini (MVF-1)
Bridgeplate Arri BP-12
2 Tiges acier 19mm
Carte SD
Epaulière Arri Alexa
Monture arrière V-lock
Viseur Arri EVF-1
Moniteur 5″ Transvideo Starlite/Arri
SXR Capture Drives
SXR Capture Drive Dock (TB)
SXR Adapter
CFast 2.0 Adapter 2
FSND Filter Set (Full)
Low Mode Support (LMS-3)

Red Weapon Helium 8K

35.4 Megapixel CMOS Sensor
29.90 mm x 15.77 mm (Diag: 33.80 mm)
8K resolution in a Super 35 format

Product Red Weapon Helium 8K
SENSOR HELIUM 35.4 Megapixel CMOS
PIXEL ARRAY 8192 x 4320
SENSOR SIZE 29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE 16.5+ stops
MAX FRAME RATES 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
REDCODE RAW ACQUISITION FORMATS 8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
WEIGHT 3.3 lbs (BRAIN with Integrated Media Bay)




RED Weapon Drangon 6K

SENSOR TYPE RED DRAGON 19.4 Megapixel CMOS
EFFECTIVE PIXELS 6144 x 3160
SENSOR SIZE 30.7 mm x 15.8 mm (Diagonal: 34.5 mm)
DYNAMIC RANGE 16.5+ stops


Product RED Weapon Drangon 6K
SENSOR RED DRAGON 19.4 Megapixel CMOS
PIXEL ARRAY 6144 x 3160
SENSOR SIZE 30.7 mm x 15.8 mm (Diagonal: 34.5 mm)
DYNAMIC RANGE 16.5+ stops
MAX FRAME RATES 75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
REDCODE RAW ACQUISITION FORMATS 6K Full Format (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
WEIGHT 3.3 lbs (BRAIN with Integrated Media Bay)



ARRI Alexa Mini

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Viewfinder AlexaMini (MVF-1)
Lightweight adapter plate (MAP-1)
Adapter plate avec support de tiges Ø15 (MAP-2)
Bridge plate adapter (BPA-4)
Side bracket (MSB-1)
Crosse d’épaule (CSP-1)

Lecteur de cartes CFast en USB3

Moniteur 5″ Transvideo Starlite/Arri
Licence Look Library
Licence ArriRaw
Licence 4 :3

ARRI Alexa Classic

The first camera on the scene remains at the center of the family; it is the keystone of a modular and upgradeable system that offers not just an image capture solution, but an entire image pipeline. By combining proprietary ARRI technology with ubiquitous, best-of-class tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.
>800 EI base sensitivity for beautiful images on night shoots and in low-light conditions.
14 stops of latitude to capture every detail, from the brightest highlights to the darkest shadows.
Natural colour rendition gives you rich, vibrant pictures and pleasing skin tones.
Excellent colour separation makes compositing effortless.
Very low noise guarantees flawless results, even on the big screen.

Product Alexa
Camera Type 35 format film-style digital camera.
Sensor Type 35 format ALEV III CMOS with Dual Gain Architecture (DGA).
Frame Rate 0.75 – 60 fps, adjustable with 1/1000 fps precision.
Exposure Index 800 EI base sensitivity, adjustable from 160 to 2560 EI.
Exposure Latitude > 13 stops
White Balance 2,000 to 11,000 degrees Kelvin, adjustable in 100 degree steps, presets of: 3200 (tungsten), 4300 (fluorescent), 5600 (daylight), 7000 (daylight cool); also green/magenta shift correction.
Aperture
Mode Dimensions Aspect Ratio Pixels
Capture 23.760 x 13.365 mm/0.9354 x 0.5262” 16:9 2880 x 1620
Monitoring/EVF 26.136 x 14.702 mm/1.0290 x 0.5788” 16:9 3168 x 1782
Sound Level Under 20 dB(A)
Power Accepts 12 to 36 V DC, 90 W power draw in typical use recording to SxS cards.
Weight
6.2 kg/13.7 lbs body only
6.9 kg/15.2 lbs body, viewfinder, VMB-1 and cable
 Dimensions
Length 332 mm/12.95” body with PL mount
Width 153 mm/6.02” body only
Height 158 mm/6.22” body only
Environmental Working temperature: -20 degrees C to +45 degrees C. Splash and dust proof through sealed electronics. System cooling through radiator/single fan in back ventilation shaft.
Lens Mount PL Mount w/o LDS. Super 35 centered.
Flange Focal Depth Depth 52.00 mm nominal
Shutter Electronic shutter, adjustable from 5.0° to 359.0° with 1/10 degrees precision.
Viewfinder Fast display, electronic colour viewfinder with a 1280 x 784 F-LCOS micro display and auto-calibrating, temperature controlled ARRI LED illumination. Customisable frame lines, peripheral viewing area and camera status. Image can be flipped for use on left or right side of camera.
Control Camera right: main user interface with transflective colour screen and illuminated buttons.
Camera left: operator interface with 3 assignable buttons.
Electronic Viewfinder EVF-1: viewfinder and basic camera settings, ZOOM (2.25x pixel to pixel magnification) and EXP (exposure assist) buttons.
In-camera Recording Apple QuickTime/ProRes 1080p .mov files with embedded 2 channel audio and additional metadata xml-files, recording to SxS memory cards. Capacity on a 32 GB SxS card at 24 fps: 20 minutes of Apple ProRes 422 (HQ) or 15 minutes of Apple ProRes 4444.
Maximum recording frame rate depends on codec chosen and transfer speed of memory card.
Recording Outputs Uncompressed ARRIRAW or uncompressed HD video with embedded audio and metadata. Recording ARRIRAW requires an ARRIRAW T-Link certified recorder.HD video output: 1920 x 1080 4:4:4 RGRGB or 4:2:2 YCbCr, Log C or ITU Rec 709, legal or extended range, with or without a user look applied. Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94,60 fps) requires a recorder with Variframe support.
Monitor Output HD video output: 1920 x 1080, 4:2:2 YCbCr, with or without a user look applied.
Processing 16 bit image processing
Audio 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion.
SD Cards SD card stores camera setup files, look files, still grabs (jpg, tiff, dpx), frame line files, production info, log files, test images and firmware updates.

Bridgeplate Arri BP-12
2 Tiges acier 19mm
Carte SD
Epaulière Arri Alexa
Monture arrière V-lock
Viseur Arri EVF-1
5 cartes 32Go
Câble Arri KC 153S Alexa ETH
Plaque low-mode
High speed control
DNxHD

ARRI Alexa Plus

The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors. It shares ALEXA’s image performance, simplicity of operation, reliability in extreme environments and versatility of workflow, and is available either as part of a complete camera package or as an upgrade for the original ALEXA.
LDS incorporé
WLCS 3 voies incorporé
>800 EI base sensitivity for beautiful images on night shoots and in low-light conditions.
14 stops of latitude to capture every detail, from the brightest highlights to the darkest shadows.
Natural colour rendition gives you rich, vibrant pictures and pleasing skin tones.
Excellent colour separation makes compositing effortless.
Very low noise guarantees flawless results, even on the big screen.

Product Alexa
Camera Type 35 format film-style digital camera.
Sensor Type 35 format ALEV III CMOS with Dual Gain Architecture (DGA).
Frame Rate 0.75 – 60 fps, adjustable with 1/1000 fps precision.
Exposure Index 800 EI base sensitivity, adjustable from 160 to 2560 EI.
Exposure Latitude > 13 stops
White Balance 2,000 to 11,000 degrees Kelvin, adjustable in 100 degree steps, presets of: 3200 (tungsten), 4300 (fluorescent), 5600 (daylight), 7000 (daylight cool); also green/magenta shift correction.
Aperture
Mode Dimensions Aspect Ratio Pixels
Capture 23.760 x 13.365 mm/0.9354 x 0.5262” 16:9 2880 x 1620
Monitoring/EVF 26.136 x 14.702 mm/1.0290 x 0.5788” 16:9 3168 x 1782
Sound Level Under 20 dB(A)
Power Accepts 12 to 36 V DC, 90 W power draw in typical use recording to SxS cards.
Weight
6.2 kg/13.7 lbs body only
6.9 kg/15.2 lbs body, viewfinder, VMB-1 and cable
Dimensions
Length 332 mm/12.95” body with PL mount
Width 153 mm/6.02” body only
Height 158 mm/6.22” body only
Environmental Working temperature: -20 degrees C to +45 degrees C. Splash and dust proof through sealed electronics. System cooling through radiator/single fan in back ventilation shaft.
Lens Mount PL Mount w/o LDS. Super 35 centered.
Flange Focal Depth Depth 52.00 mm nominal
Shutter Electronic shutter, adjustable from 5.0° to 359.0° with 1/10 degrees precision.
Viewfinder Fast display, electronic colour viewfinder with a 1280 x 784 F-LCOS micro display and auto-calibrating, temperature controlled ARRI LED illumination. Customisable frame lines, peripheral viewing area and camera status. Image can be flipped for use on left or right side of camera.
Control Camera right: main user interface with transflective colour screen and illuminated buttons.
Camera left: operator interface with 3 assignable buttons.
Electronic Viewfinder EVF-1: viewfinder and basic camera settings, ZOOM (2.25x pixel to pixel magnification) and EXP (exposure assist) buttons.
In-camera Recording Apple QuickTime/ProRes 1080p .mov files with embedded 2 channel audio and additional metadata xml-files, recording to SxS memory cards. Capacity on a 32 GB SxS card at 24 fps: 20 minutes of Apple ProRes 422 (HQ) or 15 minutes of Apple ProRes 4444.
Maximum recording frame rate depends on codec chosen and transfer speed of memory card.
Recording Outputs Uncompressed ARRIRAW or uncompressed HD video with embedded audio and metadata. Recording ARRIRAW requires an ARRIRAW T-Link certified recorder.HD video output: 1920 x 1080 4:4:4 RGRGB or 4:2:2 YCbCr, Log C or ITU Rec 709, legal or extended range, with or without a user look applied. Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94,60 fps) requires a recorder with Variframe support.
Monitor Output HD video output: 1920 x 1080, 4:2:2 YCbCr, with or without a user look applied.
Processing 16 bit image processing
Audio 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion.
SD Cards SD card stores camera setup files, look files, still grabs (jpg, tiff, dpx), frame line files, production info, log files, test images and firmware updates.

Bridgeplate Arri BP-12
2 Tiges acier 19mm
Carte SD
Epaulière Arri Alexa
Monture arrière V-lock
Viseur Arri EVF-1
5 cartes 32Go
Câble Arri KC 153S Alexa ETH
Plaque low-mode
High speed control
DNxHD

ARRI Alexa Plus XT

The ALEXA XT Plus (XT = Xtended Technology) is the most versatile and flexible of the ALEXA XT camera range, and thus a true allrounder. With an integrated wireless receiver for camera and lens remote control, built-in tilt and roll sensors, a DNxHD license and additional connectors for camera and lens control, signal output and accessory power supply, the ALEXA XT Plus offers the best value for anyone who can live without an optical viewfinder.
Enregistrement interne au format ARRIRAW sur cartes Capture Drive de Codex
LDS incorporé
WLCS 3 voies incorporé
>800 EI base sensitivity for beautiful images on night shoots and in low-light conditions.
14 stops of latitude to capture every detail, from the brightest highlights to the darkest shadows.
Natural colour rendition gives you rich, vibrant pictures and pleasing skin tones.
Excellent colour separation makes compositing effortless.
Very low noise guarantees flawless results, even on the big screen.

Product Alexa
Camera Type 35 format film-style digital camera.
Sensor Type 35 format ALEV III CMOS with Dual Gain Architecture (DGA).
Frame Rate 0.75 – 60 fps, adjustable with 1/1000 fps precision.
Exposure Index 800 EI base sensitivity, adjustable from 160 to 2560 EI.
Exposure Latitude > 13 stops
White Balance 2,000 to 11,000 degrees Kelvin, adjustable in 100 degree steps, presets of: 3200 (tungsten), 4300 (fluorescent), 5600 (daylight), 7000 (daylight cool); also green/magenta shift correction.
Aperture
Mode Dimensions Aspect Ratio Pixels
Capture 23.760 x 13.365 mm/0.9354 x 0.5262” 16:9 2880 x 1620
Monitoring/EVF 26.136 x 14.702 mm/1.0290 x 0.5788” 16:9 3168 x 1782
Sound Level Under 20 dB(A)
Power Accepts 12 to 36 V DC, 90 W power draw in typical use recording to SxS cards.
Weight
6.2 kg/13.7 lbs body only
6.9 kg/15.2 lbs body, viewfinder, VMB-1 and cable
Dimensions
Length 332 mm/12.95” body with PL mount
Width 153 mm/6.02” body only
Height 158 mm/6.22” body only
Environmental Working temperature: -20 degrees C to +45 degrees C. Splash and dust proof through sealed electronics. System cooling through radiator/single fan in back ventilation shaft.
Lens Mount PL Mount w/o LDS. Super 35 centered.
Flange Focal Depth Depth 52.00 mm nominal
Shutter Electronic shutter, adjustable from 5.0° to 359.0° with 1/10 degrees precision.
Viewfinder Fast display, electronic colour viewfinder with a 1280 x 784 F-LCOS micro display and auto-calibrating, temperature controlled ARRI LED illumination. Customisable frame lines, peripheral viewing area and camera status. Image can be flipped for use on left or right side of camera.
Control Camera right: main user interface with transflective colour screen and illuminated buttons.
Camera left: operator interface with 3 assignable buttons.
Electronic Viewfinder EVF-1: viewfinder and basic camera settings, ZOOM (2.25x pixel to pixel magnification) and EXP (exposure assist) buttons.
In-camera Recording Apple QuickTime/ProRes 1080p .mov files with embedded 2 channel audio and additional metadata xml-files, recording to SxS memory cards. Capacity on a 32 GB SxS card at 24 fps: 20 minutes of Apple ProRes 422 (HQ) or 15 minutes of Apple ProRes 4444.
Maximum recording frame rate depends on codec chosen and transfer speed of memory card.
Recording Outputs Uncompressed ARRIRAW or uncompressed HD video with embedded audio and metadata. Recording ARRIRAW requires an ARRIRAW T-Link certified recorder.HD video output: 1920 x 1080 4:4:4 RGRGB or 4:2:2 YCbCr, Log C or ITU Rec 709, legal or extended range, with or without a user look applied. Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94,60 fps) requires a recorder with Variframe support.
Monitor Output HD video output: 1920 x 1080, 4:2:2 YCbCr, with or without a user look applied.
Processing 16 bit image processing
Audio 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion.
SD Cards SD card stores camera setup files, look files, still grabs (jpg, tiff, dpx), frame line files, production info, log files, test images and firmware updates.

Bridgeplate Arri BP-12
2 Tiges acier 19mm
Carte SD
Epaulière Arri Alexa
Monture arrière V-lock
Viseur Arri EVF-1
4 Cature Drive Codex de 512 GO
Câble Arri KC 153S Alexa ETH
Plaque low-mode
High speed control
DNxHD

RED Epic-X Dragon

La caméra Epic Dragon est une camera de haute performance. Elle enregistre des images en 6K RAW à des cadences de 1 à 100 i/s en pleine résolution, avec une dynamique de 16.5 stops.
Enregistrement RED RAW sur SSD en 2K, 4K, 5K, 6K et anamorphique
Dynamique 16.5 diaphs
Vitesse jusqu’à 300 i/s en 2K
Contrôle par écran tactile 5”
Sensibilité 800 ISO
Faible encombrement
Architecture modulaire

Product RED EPIC MYSTERIUM-X
SENSOR 19 MEGAPIXEL RED DRAGON®
PIXEL ARRAY 6144 (h) x 3160 (v)
S/N RATIO 80 dB
DYNAMIC RANGE 16.5+ stops
MAX IMAGE AREA 6144 (h) x 3160 (v)
LENS COVERAGE 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)
ACQUISITION FORMATS 6K RAW (2:1, 2.4:1)
5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)
PROJECT FRAME RATES 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
DELIVERY FORMATS 1080p RGB 4:2:2, 720p 4:2:2 : Quicktime, JPEG, Avid AAF, MXF
1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT HD-SDI Clean Feed
2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
MONITOR OUTPUT HD-SDI and HDMI with Frame Guides and Lookaround
2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA REDMAG® 1.8″ SSD: 48GB, 64GB, 128GB, 256GB
AUDIO 2 channel, uncompressed, 24-bit, 48KHz.
Optional 4 channel, and AES/EBU digital audio
MONITORING OPTIONS RED Touch 5.0″ LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
REMOTE CONTROL REDLINK Wireless, Ethernet, RS232, GPI Trigger
WEIGHT 5 lbs (Body only)
CONSTRUCTION Aluminum Alloy
TEMPERATURE RANGES Operating Range: 0°C to 40°C (32°F to 104°F) Storage Range: –20°C to 50˚°C (–4°F to 122°F)

Moniteur LCD 5.0” Red
Viseur Red Bomb
Red Swappack
Lecteur Red Station Redmag 1.8”
4 Redmag 1.8” SSD 128Gb
Module Epic Pro I/O
Module +1
Redmote Red Epic
Carte Red Rocket en boitier avec port Thuderbold
Monture Red Motion TI PL
Viseur EVF Bomb Oled

SONY PMW-F5

Dotée du capteur 4K de Sony de 8,9 mégapixels (effectifs), la caméra CineAlta PMW-F5 capture des images spectaculaires. Vous obtenez ainsi des images super échantillonnées de qualité supérieure, visiblement dotées d’un contraste plus élevé, d’une reproduction des couleurs remarquable et d’une clarté améliorée.
Capteur CMOS à puce unique 4K équivalent au format Super 35 mm
Possibilité d’enregistrer en RAW 4K/2K 16 bits grâce à l’enregistreur dockable AXS-R5
L’AXS-R5 enregistre sur les cartes mémoire ASXM™
Choix des formats d’enregistrement internes HD/2K
Prise de vue ultrarapide allant jusqu’à 120 ips en 2K en interne et 120 ips en RAW 2K avec l’enregistreur optionnel AXS-R5
Nouvelle génération de cartes mémoire ultrarapides SxS PRO+
Enregistrement simultané en RAW sur les cartes mémoire SxS de la caméra
Workflows en situation réelle
Latitude d’exposition large jusqu’à 14 diaphs
Plusieurs modèles de viseurs incluant l’exceptionnelle technologie OLED
Rig d’épaule optionnel
Incroyable flexibilité grâce à la monture PL, à la monture FZ et aux optiques fixes
Une nouvelle génération d’objectifs à monture PL

Product SONY PMW F5
Alimentation 12 V CC (de 11 à 17 V)
Consommation électrique Environ 24 W (mode d’enregistrement XAVC HD 60p, EVF Off, écran LCD Off, HD-SDI On)
Température de fonctionnement De 0 °C à 40 °C
Température de stockage De -20 °C à +60 °C
Poids Environ 2,2 kg (sans objectif, poignée, boîtier audio et accessoires)
Dimensions (L x H x P)[[F_WA0001]] 151 x 189 x 210 mm (sans les parties saillantes)
Autonomie de batterie Environ 160 min avec le pack batterie BP-FL75
Environ 230 min avec le pack batterie BP-GL95A
Format d’enregistrement (vidéo) MPEG-2 Long GOP
Mode HD 422 : CBR, 50 Mbit/s max, MPEG-2 422P@HL
Format d’enregistrement (audio) PCM linéaire (2 canaux, 24 bits, 48 kHz)
Cadence d’enregistrement XAVC 2K : 2048 x 1920, 23.98p/24p/25p/29.97p/50p/59.94p
XAVC HD : 1920 x 1080, 23.98p/25p/29.97p/50p/59.94p
MPEG4 SStP : 1920 x 1080, 23.98p/24p/25p/29.97p
MPEG2 HD : 1920 x 1080, 50i/59.94i/23.98p/25p/29.97p
MPEG2 HD : 1280 x 720, 50p/59.94p
Capteur (Type) Capteur CMOS à puce unique équivalent au format Super 35 mm
Capteur (nombre de pixels) 11,6 M (total), 8,9 M (effectifs)
Filtres intégrés Clair, 0,9 (1/8ND), 1,8 (1/64ND)
Sensibilité (2 000 lx, réflexion de 89,9 %) Gamma vidéo : T13 @24p (éclairage 3 200 K)
Sensibilité ISO Gamma S-Log2 : ISO 2000 (éclairage D55)
Monture d’objectif Monture PL (avec adaptateur de monture d’objectif fourni)
Longueur focale Monture FZ (avec adaptateur de monture d’objectif fourni)
Latitude 14 diaphs
Rapport S/B 57 dB (Gamma vidéo, 24p, suppression de bruit OFF)
Vitesse d’obturation 1/24 s à 1/6 000 s
Angle d’obturation 4,2° à 360° (obturateur électrique)
Obturation lente (SLS) Accumulation de 2, 3, 4, 5, 6, 7 et 8 images
Fonction de déplacement lent et rapide de la caméra (Slow & Quick Motion) XAVC HD/2K : 1-120p (NTSC), 23.98p/29.97p
XAVC HD/2K : 1-100p (PAL), 25p
Balance des blancs Préréglage (3 200 K, 4 300 K, 5 500 K), mémoire, ATW
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
Courbe gamma Standard (x6)
HG1, HG2, HG3, HG4, HG7 et HG8
Gamma S-Log2
Entrée audio CH-1/CH-2 : XLR 3 broches (femelle) (x2), Line/Mic/Mic +48 V/AES/EBU sélectionnable
Sortie vidéo HD-Y ou HD Sync (niveau triple) V1.0
Composite analogique (VUP)
Sortie audio Jack phono (CH-1, CH-2)
Sortie DC 4 broches (x1), 11 V à 17 V CC (Max. 2 A) avec adaptateur de batterie
Sortie HD-SDI Sortie ligne SDI 1/2, sortie moniteur SDI 3/4 (activation/désactivation des caractères)
Entrée/sortie Timecode TC IN/OUT (x1) commutable
Entrée Genlock BNC (x1)
Commande à distance 8 broches (x 1)
Sortie HDMI Type A (x1)
USB USB, mini-B (x1)
Port USB, type A (x2)
Sortie casque Mini-jack stéréo (x 1)
Sortie haut-parleur Monaural
Obturateur BNC (x1)
Wi-Fi Port USB, type A (x1)
Media Slot ExpressCard/34 (x2)
Slot pour carte SD (x1)

Epaulière pour Sony F5
Plaque décentrement BP8 – Tige 19 – 440mm
Viseur électronique Oled DVF EL 100 – 0.7”
4 Carte SxS Pro + 64Go
Équipement de base Arri
Adaptateur Sony PMW / Canon EF
Enregistreur Raw AXS-R5
Carte Raw AXSM 512Gb
Lecteur de carte AXS-CR1

SONY PMW-F55

Dotée du capteur 4K de Sony de 8,9 mégapixels (effectifs), la caméra CineAlta PMW-F55 capture des images spectaculaires. Vous bénéficiez d’une superbe plage dynamique, d’un gamut de couleur plus vaste et d’une qualité d’image parfaite, que vous tourniez en HD, 2K ou 4K.
Capteur CMOS à puce unique 4K équivalent au format Super 35 mm avec technologie Frame Image Scan
Possibilité d’enregistrer en RAW 4K/2K 16 bits grâce à l’enregistreur dockable AXS-R5
L’AXS-R5 enregistre sur les cartes mémoire ASXM™
Choix des formats d’enregistrement internes HD/2K/4K
Prise de vue ultra-rapide allant jusqu’à 60 ips en 4K et 180 ips en 2K en interne, et 240 ips en RAW 2K avec l’enregistreur optionnel AXS-R5
Nouvelle génération de cartes mémoire ultrarapides SxS PRO+
Enregistrement simultané en RAW sur les cartes mémoire SxS de la caméra
Workflows en situation réelle avec les options d’enregistrement sur les codecs Avid DNxHD et Apple ProRes
Latitude d’exposition large jusqu’à 14 diaphs
Reproduction réaliste des couleurs et options S-Gamut/S-Log3
Plusieurs modèles de viseurs incluant l’exceptionnelle technologie OLED
Incroyable flexibilité grâce à la monture PL, à la monture FZ et aux optiques fixes
Une nouvelle génération d’objectifs à monture PL
Interface intuitive et menu utilisateur personnalisable
Sortie 4K en temps réel et autres connexions essentielles
Batterie olivine longue durée et chargeur rapide
Revolutionary electronic Frame Image Scan

Product SONY PMW F55
Alimentation 12 V CC (de 11 V à 17 V)
Consommation électrique Environ 25 W (mode d’enregistrement XAVC 4K 60p, EVF Off, moniteur LCD Off, 4K SDI On)
Température de fonctionnement 0°C to 40°C
32°F to 104°F
Température de stockage -20°C à +60°C
De -20 °C à 60 °C
Poids 2.2 kg (without lens, handle, audio box and accessories)
4 lb 14 oz (without lens, handle, audio box and accessories)
Dimensions (L x H x P) *1 130 x 125 x 191 mm (without protrusions)
5 1/8 x 5 x 7 5/8 inches (without protrusions)
Autonomie de batterie Approx. 150 min with BP-FL75
Approx. 210 min with BP-GL95A
Format d’enregistrement (vidéo) XAVC (AVC/H.264 High 4:2:2 Intra Profile)
4K: VBR, 600 Mbps max.
HD: SMPTE RP2027 Class100 compliant
MPEG2 HD (MPEG-2 Long GOP)
HD 422 mode: CBR, 50 Mbps max., MPEG-2 422P@HL
*2
Format d’enregistrement (audio) LPCM 8 canaux (2 canaux d’enregistrement/de lecture), 24 bits, 48 kHz
Cadence d’enregistrement XAVC 4K (4096 x 2160):
23.98p/24p/25p/29.97p/50p/59.94p
XAVC QFHD (3840 x 2160): 23.98p/25p/29.97p/50p/59.94p
XAVC 2K (2048 x 1080):
23.98p/24p/25p/29.97p/50p/59.94p
XAVC HD (1920×1080):
23.98p/25p/29.97p/50p/59.94p
MPEG4 SStP (1920 x 1080):
23.98p/24p/25p/29.97p
MPEG2 HD (1920×1080):
23.98p/25p/29.97p/50i/59.94i
MPEG2 HD (1280 x 720):
50p/59.94p
*3
Durée d’enregistrement/de lecture XAVC 4K, 23.98p: Approx. 25 min (SBP-64B)/Approx. 50 min (SBP-128B)
59.94p: Approx. 10 min (SBP-64B)/Approx. 20 min (SBP-128B)
XAVC HD, 23.98p: Approx. 70 min (SBP-64B)/Approx. 140 min (SBP-128B)
59.94p: Approx. 30 min (SBP-64B)/Approx. 60 min (SBP-128B)
MPEG2 HD: Approx. 60 min (SBS-32G1A)/Approx. 120 min (SBS-64G1A)
Capteur (Type) Capteur CMOS à puce unique équivalent au format Super 35 mm
Capteur (nombre de pixels) 11,6 M (total), 8,9 M (effectifs)
Format d’image 17:9
Filtres intégrés Clair, 0,9 (1/8ND), 1,8 (1/64ND)
Sensibilité (2 000 lx, réflexion de 89,9 %) Gamma vidéo : T12@24p (éclairage 3 200 K)
Sensibilité ISO Gamma S-Log2 : ISO 1250 (éclairage D55)
Monture d’objectif Monture PL (avec adaptateur de monture d’objectif fourni)
Monture FZ (sans adaptateur de monture d’objectif fourni)
Latitude 14 diaphs
Rapport S/B 57 dB (Gamma vidéo, 24p, suppression de bruit OFF)
Vitesse d’obturation 1/24 s à 1/6 000 s (23.98PsF)
Angle d’obturation 4,2° à 360° (obturateur électrique)
Obturation lente (SLS) Accumulation d’images 2, 3, 4, 5, 6, 7, 8
Fonction de déplacement lent et rapide de la caméra (Slow & Quick Motion) XAVC 4K/QFHD: 1-60p (NTSC), 23.98p/29.97p
XAVC 4K/QFHD: 1-50p (PAL), 25p
XAVC 2K/HD: 1-180p (NTSC), 23.98p/29.97p
XAVC 2K/HD: 1-150p (PAL), 25p
Balance des blancs Préréglage (3 200 K, 4 300 K, 5 500 K), mémoire
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
Courbe gamma Standard (x6)
HG1, HG2, HG3, HG4, HG7, HG8
S-Log2 Gamma
Entrée audio CH-1/CH-2: XLR-type 3-pin (female) (x2), Line/Mic/Mic +48V (AES/EBU) *4 switchable
Entrée DC Type XLR 4 broches (mâle) (x1), de 11 V à 17 V CC
Sortie DC 4 broches (x2), de 11 V à 17 V CC (Max. 1,8 A) avec adaptateur de batterie
Viseur Interface de viseur numérique (x1)
Sortie SDI BNC (x4), HD mode: SDI 1/2 Line Output, SDI 3/4 Monitor Output
4K mode: SDI 1/2/3/4 Line Output, Display On/Off switchable
Sortie test BNC (x1), HD-Y ou HD Sync (niveau triple) V1.0
Entrée/sortie Timecode TC IN/OUT (x1) commutable
Entrée Genlock BNC (x1)
Commande à distance 8 broches (x 1)
Sortie HDMI Type A (x1)
USB Port USB, type A (x1)
USB USB, Mini-B (x 1)
Sortie casque Mini-jack stéréo (x 1)
Sortie haut-parleur Monaural
Obturateur BNC (x1) *4
Wi-Fi Port USB, type A (x1)
Media ExpressCard/34 slot (x2)
SD card slot (x1)
Remarques *1 The values for dimensions are approximate.
*2 These are the supported formats at launch and will be added by future upgrades.
*3 Some frame rates are not supported at launch and will be supported by future upgrades.
*4 To be supported by future upgrades.

Epaulière pour Sony F5
Plaque décentrement BP8 – Tige 19 – 440mm
Viseur électronique Oled DVF EL 100 – 0.7”
4 Carte SxS Pro + 64Go
Équipement de base Arri
Adaptateur Sony PMW / Canon EF
Enregistreur Raw AXS-R5
Carte Raw AXSM 512Gb
Lecteur de carte AXS-CR1